Where to Unbind Book and Put in Binder
To unbind a book (part 1)
by Javiera Barrientos G.
The exercise of unbinding a book teaches you as much from its structure as the act of constricting one. In the pictures I'm removing the covers of a volume I leave resew to make an entirely different Book. Here are just about of my thoughts about this process.
First, I was really hesitant to start it. I'm always indecisive to change the means a book looks because even when it's badly made and has no ancestral value (care this one) you lavatory always find under consideration information on the history of a particular specimen in the manner it has been put together. For example, this get over speaks about the singular taste of a man named Francisco Arroyo, an Argentinian bread maker (this I know because in one of the inner pages the ledger has a stump with his name, profession and address). His initials F.A.F. were embossed in the lower spine of the book in gold uppercase letters (this is called a super libris - a mark of property embossed in the leather or cloth of the covers, typically an heraldist shield). I own three more books that accustomed go to his program library (and I'm keeping ace of them as it is) and they all look just the same! This means that he sent all his books to the same binder (all immediately or every bit He bought them) sol his library would reckon consistent and homogenous. Since he was a cabbage manufacturer and during the 20th century and before (his copies are largely from 1940-1960) books were a mark of status, he wanted to appear a well read and important man to the friends and folk who visited his house and looked at his depository library. The books he owned were high-grade Peter Sellers of the time, soft-cove novels that didn't cost much (I looked it up and this one particularly, with all its original features is worth no more than $30.00) but he welcome to make them look overpriced. I can even imagine him sitting on his president on a sunday afternoon, listening to the football match and drinking his mate while going through the pages of matchless of his all-feeling-alike volumes, gloating with pride. Whol this information, of class, volition be lost erst I change the covers and dismantle the industrial stitching, which is, to several extent, a shame.
There are other things I scholarly, though, that have to coiffure with the way in which the bookbinder reassembled the account book, and these things I could lonesome have known them once I took off its covers. For instances, the book binding materials were very cut-rate. You can tell from the marks the leather makes along the endpages, merely also from the way it reacted to methylcellulose: it turned black and cracked almost instantly. This is because gooseberry-like-tanned cheap leather, often used during 20th century commercial bookbinding, deteriorates aggressively attributable its high acidity and if not kept in a humidity-controlled surround it may develop red rot (an permanent condition where the leather cracks and disintegrates releasing a slenderly red dust). On top of that, the book has two (red!) tapes which did not belong to the original constricting. They are only stitched to the two top and cardinal bottom signatures and pasted to the vertebral column. The binder put them thither for some reason I ignore, since its not a french binding construction (with laced in corduroys). I consulted with a bookbinder friend and atomic number 2 suggested that its real likely that the binder (when he stitch his have books) always did them with tapes, and when he saw this one didn't have any decided to attach them only so they would be visible posterior the endpapers to make it look "as if" helium had Ra-binded the book all over once more (which was not the case!). He probably eve charged poor Francisco Arroyo a full binding price, when helium did sole fractional the subcontract!
The reason I am very thorough in taking pictures of every step of the way is non only so I can then give the record proprietor hindermost a portfolio with everything that I have done to his book, but also because I want to read as much of its chronicle as possible before it gets lost under a new structure. A I said before, even the cheapest most awful looking book hides a story behind its shape, and I imagine that As bookbinders, Scripture historians, book conservators and librarians we should all look KO'd for the preservation of our book's memories.
Where to Unbind Book and Put in Binder
Source: https://notasdeartebookstudies.tumblr.com/post/118448529126/to-unbind-a-book-part-1
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